Produced by Portishead co-founder the musician-producer, this sharp-edged though slight debut feature casts a critical gaze on the ecstasy-fueled club scene. Self-serving drug user David (Marc Bessant) initially steals from an unconscious dealer, then in another flashback tries to burgle his own family home. Before you can say, he's overturned in the wreckage of his car in a forest – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward townies, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Duel
Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to free himself from his seatbelt, while awkwardly transitioning into past scenes of his normal activities. The bigger point – that the ecstasy generation were mainly focused on number one – is clearly conveyed. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Poacher turns up, fuming after David strangles his dog. Nevertheless, a grimly amusing duel unfolds – David eager to get away; the Woodsman withholding his jerrycan of scrumpy, intent on dousing him instead in embittered discourse. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Music Video Sensibility
There is only one important plot development, but it leads to a hilariously staged chaotic run on the woodland paths that veers toward folk horror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing artful shots of bugs in headlights in the early stages, he now lets rip with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.
The film releases in UK and Irish theaters from 17 November.
